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Deutsches Theater Berlin invests in Robe

The Deutsches Theater in Berlin is one of Germany’s foremost producing houses, highly acclaimed for its cutting-edge work.

In the last year, the venue has added 20 x Robe T1 Profiles which are available across its stages, a move specified and overseen by head of lighting Robert Grauel and his team including Linus Zahn who is the lighting systems tech and person in charge of new technologies.

The main stage was originally built in 1850 and the building now consists of two adjoining stages – the 600-capacity main stage and the 280-seat Kammerspiele established by the legendary Max Reinhardt in 1906 for modern drama – sharing a common, classical façade.

 

The Box is a black box studio space located in the Kammerspiele foyer in 2006 with seating for 80 people, and there are extensive rehearsal rooms, workshops, and storage facilities in a new building behind

 

The theatre’s output is prolific. An average year sees each stage present approximately nine new productions, and a significant amount of these will also tour around Germany, with three or four also going on to tour worldwide, all simultaneously. It is a buzzing hive of creative activity in the heart of vibrant Berlin.

The Robe T1 Profiles were selected from a shortlist of three fixtures from different manufacturers explained Linus, who is part of a 35-strong lighting department working across all the stages and rehearsal areas.

Linus is an experienced programmer and operator in addition to being systems tech and is responsible for the theatre-wide lighting networks and all their associated components. He is also one of the house pyrotechnicians and was instrumental in making the T1 Profile investment decision.

Robe Deutsches Theater Berlin 1

Part of his responsibility involves keeping an eye on new and emerging technologies and arranging demonstrations thereof for the theatre and the lighting technical teams. Before joining Deutsches Theater, he worked in the live events and touring sectors of the industry, and this is where he initially encountered Robe products.

When it came to looking for an LED Profile spot for Deutsches Theater, Linus and his colleagues examined the three main options – including the Robe luminaires – all of which were made available so they could be evaluated fully over a longer period.

Critical factors compared included brightness, colour rendering, skin tonality and the accuracy of the shutter system. “All the requirements specific to theatre performance needed to be at ‘industry standard’ levels,” commented Linus. Other factors like the additive colour mixing then started giving the T1 Profile the edge.

The theatre also needed a moving light that worked well with their existing stock of LED profiles and wash fixtures, and “the T1 Profile harmonizes perfectly” with these stated Linus, making the overall lighting rig even more flexible and adaptable.

 

The T1 Profile’s colour temperature control was another feature impressing Linus and the crew as they work a lot with different CT whites needing clean and high-quality sources

 

RDM compatibility was helpful, together with the wireless DMX option in the T1 Profile, as the main house already has a large Lumen Radio system in place.

Robe Deutsches Theater Berlin 2

Robe fixtures first appeared at the Deutsches Theater in 2016 for a production of Man in the Holocene directed by Thom Luz with lighting designed by Matthias Vogel.

They needed a compact moving light that had a sharp narrow beam that could shoot across the stage, reflect off five mirrors and interact with the main actor.

As well as fulfilling the basic dramatic criteria, it offered other benefits like a decent zoom which made it multifunctional and usable for other lighting effects and tasks. Furthermore, streaming-ACN (sACN) protocol was implemented so the Pointes ticked all the boxes and were purchased for this show. Two Spikies were purchased shortly after for In the Case of J. Robert Oppenheimer followed by the T1 Profiles.

 

*Photo Credits: Louise Stickland

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