With technical production by Fluge Audiovisuales in Spain and lighting design by Isaac Bargiela, Dani Fernández’s tour is structured as a solid and visually coherent live proposal.
Beyond its supporting role, the lighting design acts here as a visual structuring element, capable of defining rhythms, atmospheres, and narrative transitions throughout the show.
Behind this approach is Fluge Audiovisuales, responsible for the tour’s technical production, together with lighting designer Isaac Bargiela, who delivers a visual proposal aligned with the project’s artistic identity and adapted to the demands of the touring format.
A technical approach focused on reliability and consistency
In a touring environment, the choice of control system and lighting equipment directly affects both daily operation and the ability to maintain consistent execution across venues. In this case, Fluge Audiovisuales, together with Isaac Bargiela, opted for a workflow ecosystem based on MA Lighting and Martin solutions, prioritizing system stability, consistency between tour dates, and creative flexibility.
The goal is not only to have a powerful infrastructure, but to ensure predictable operation, minimize issues, and retain sufficient headroom to develop a visual proposal with both aesthetic intent and technical precision.
Lighting control with grandMA3
The tour runs on two grandMA3 full-size consoles, a configuration that enables both programming and show execution with a high level of control and reliability. The system is complemented by two grandMA3 Processing Unit L, expanding processing capacity and reinforcing overall system stability.
In a touring production, where conditions vary from one venue to another, this type of setup ensures efficient operation and consistent execution—key factors when aiming to preserve the visual integrity of the show throughout the tour.
Martin MAC Viper XIP in the lighting rig
The rig includes Martin MAC Viper XIP moving heads, selected for their suitability for the specific demands of a touring production. The fixture delivers performance aligned with this type of setup, along with optics capable of producing well-defined looks and a build designed to facilitate operation both indoors and outdoors.
Its inclusion therefore responds to criteria of operational reliability, versatility, and adaptability to demanding use conditions, rather than simply raw output.
A visual design serving the live show
With Dani Fernández leading the stage and a technical team focused on consistent results, the tour highlights how a well-planned technical infrastructure can significantly contribute to the show’s stage language.
The collaboration between Fluge Audiovisuales and Isaac Bargiela underscores the role of lighting as a discipline with its own weight within live production: not only as technical support, but as an expressive tool integrated into the construction of the audience experience.
