The international More To Show team produced an ambitious event at the iconic Sixth Street Bridge in Los Angeles to present the new 4-door Mercedes-AMG GT Coupé, in collaboration with OSK agency.
Wu-Tang Clan’s journey through Europe with The Final Chamber European Tour presented an ambitious technical and cultural challenge: creating a stage production worthy of the band’s historic legacy.
Somehow, the word "chaos" inevitably comes up whenever critics write about the Distortion Festival, a freewheeling celebration that blends techno, house, trance, hip-hop and other genres into an experience that is as dizzying as it is fascinating.
Joker Out celebrated their 10th anniversary with Karneval, an outdoor circus-themed show held at Kardeljeva ploščad in Ljubljana. The production combined live music, guest performers and an extensive visual production, with a lighting design that featured Robe's new GigaPointe fixtures for the first time in Slovenia.
Minnie Riperton’s career was as brilliant as it was brief. The Chicago soul and funk artist, known for her extraordinary five-and-a-half-octave vocal range, captivated the music world in the late 1970s before passing away from cancer at the age of 31. Despite her short career, her music and influence endure.
Since opening its doors in 2004, Bootshaus has built one of the most recognisable identities in electronic music. The Cologne club, consistently ranked by DJ Mag among the best in the world and recognised as the world’s fourth-best nightclub in 2025, stands out for its spectacular shows and top-notch sound.
Tootsie’s Orchid Lounge, one of the most historic names associated with country music in the United States, has expanded its presence with a new venue in Panama City Beach, Florida.
At Boston's historic Old South Meeting House, visitors can step directly into the debates, acts of defiance and upheaval that helped ignite the American Revolution through Ruckus!, an experiential exhibit from Revolutionary Spaces.
The Concierto del Cristo de La Laguna brought Los Cantadores together in a large-scale production developed by Basalto Producciones for Eventalia Group. Edu Baute was responsible for the lighting design, while Tinguaro Vega handled technical control.
The stage for 5 Seconds of Summer’s Everyone’s a Star! World Tour breaks away from the traditional rectangular configuration, adopting a ring shape measuring approximately 23 metres in diameter. The band performs on the upstage half in front of a curved video wall, while the downstage section forms a curved thrust extending out into the audience.
For the five performances of the rock musical HERILO: Das Rad dreht sich weiter, staged at the Energie Schwaben Arena in Kaufbeuren from 28 June to 5 July 2026, lighting designer Leo Herrmann of Lumenlabor created a stage space 32 metres wide.
Nashville-based technical production specialist UpLight Technologies recently used the new Avolites D7 console as the centerpiece of the lighting design for the inaugural season of the Pro Cheer League.
TCU Place, a convention centre and performing arts complex located in Saskatoon, Saskatchewan, is home to the first permanently installed Meyer Sound TIGRA™ line array system in Canada.
The Tessera SX40 LED processors and Tessera XD data distribution units from Brompton Technology have powered the visual content for Professor Brian Cox's Emergence World Tour, delivering large-format LED screens tailored to each venue as the show travelled across Australia.
A new cultural centre in Staufen im Breisgau, Germany, uses an ETC Prodigy P2 rigging system to support a diverse programme of concerts, theatre, dance, film screenings and festivals.
IBC2026 explored the role of sport in the technological evolution of media and entertainment. The event brought together sports organisations, broadcasters, rights holders and technology providers at RAI Amsterdam.
Luke Combs closed his My Kinda Saturday Night Tour with three consecutive concerts at Wembley, held between 31 July and 2 August 2026 in front of approximately 90,000 people each night. Guinness World Records recognised him as the first solo country artist to headline a concert at the stadium.
