Astera introduces a new configuration for its QuikBeam, a luminaire that has created a new category of uplighting fixtures thanks to its extremely compact and lightweight design, making it an ideal solution for both live events and film productions.
A 54-meter, 776-gross-ton superyacht designed by Delta Design Group, accommodating up to 16 guests and 14 crew, does not seem like the type of project one would expect from an integrator based in landlocked Montana.
Edinburgh Napier University has announced a new collaboration with Sony, giving students access to professional mentoring and hands-on experience with the latest digital camera technology used in real-world commercial productions.
Olivia Dean's sold-out The Art of Loving arena tour takes a new approach to live camera integration by replacing traditional IMAG screens with a real-time projection system that displays live camera feeds directly onto the production's scenic drapes.
When Richard O'Brien's The Rocky Horror Show opened this spring at New York's Studio 54 with an all-star cast and an award-winning creative team, success seemed all but guaranteed.
For Vanessa Paradis' 2026 tour, the audio team led by monitor engineer Matthieu Speck has adopted Sennheiser's Spectera wireless ecosystem, including the new SKM handheld transmitter.
Electronic music supergroup Swedish House Mafia performed its first-ever concert in Estonia in a show that has already become part of the country's live music history. Held at the iconic Tallinn Song Festival Grounds, the event gave fans their first opportunity to experience the band live anywhere in the Baltic region.
Chicago’s Wintrust Arena hosted an ambitious audiovisual production for Levity’s show, designed by Ryan Warffuel and the team at Antic Studios.
The Stars 80 Forever tour has returned with a refreshed production that combines iconic 1980s music with a modern lighting design created by Damien Dufaitre of BlackMoon. At the heart of this design are 38 Infinity Furion FX402 Bars, supplied by MPM Audiolight.
For more than 15 years, TDC - Technical Direction Company has helped bring some of Vivid Sydney’s most iconic works to life through large-scale projection and technology experiences that have captivated millions of residents and visitors.
AG Production Services and The Activity joined forces on a project celebrating the 250th anniversary of the United States, using Elation lighting to transform Hoover Dam into a stunning visual tribute that highlighted the scale of the dam and canyon while evoking a strong sense of national pride.
Canterbury Cathedral hosted one of the most significant moments in the 1,400-year history of the Church of England: the installation of Sarah Mullally as the 106th Archbishop of Canterbury, the first woman ever to hold the office.
Isaac Bargiela, the production’s creative director, lighting designer and scenographer, used GLP JDC Burst 1 fixtures as the centrepiece of a unified visual language integrating lighting, video and scenography across one of Spain’s most ambitious touring productions today.
Ryan Schaminee, owner of RS Images, is a busy freelance gaffer and lighting console programmer/operator based in the Netherlands, working across a wide variety of commercial, television and film productions.
The lifting control systems market welcomes a new solution based on hybrid architecture and digital control. The unit can manage up to 24 channels and includes features designed to enhance individual line protection, simplify maintenance, and streamline routine operations in touring and production environments.
At the 79th Annual Tony Awards, Kai Harada arrived at the ceremony in an unusual position: he was nominated twice in the category of Best Sound Design of a Musical, for Ragtime and Cats: The Jellicle Ball, two productions supported by Meyer Sound systems.
As Head of Lighting and Video at Hale Centre Theatre in Sandy, Utah, Jaron Kent Hermansen has played a key role in defining the visual design of the venue’s performance and educational spaces.
